Evie Morgan
Contact: evelinaamor@outlook.com
University/School: Nottingham Trent University
Location: London, United Kingdom
Instagram: https://www.instagram.com/evelinas.archive/
About me
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About me _____
Specialised in menswear, hand embellishment & illustrated print. I am a London-based designer with a focus on surface detail and narrative-led design. Working at the intersection of tradition and innovation, my practice is rooted in a deep appreciation for storytelling and beauty through art. During my final year at university I designed and manufactured tailored menswear.
I have a strong passion for formal menswear, particularly tailored garments such as suits and shirts. My work is driven by a fascination with historical narratives, romance, and mythology, which I explore through surface design, printmaking, and embroidery. Drawing inspiration from artists like Pietro Ruffo, I am especially interested in the use of intricate motifs and symbolism. I approach design through rigorous research, often referencing art history and creating hand-drawn patterns before developing textile samples. I am committed to craftsmanship and the considered use of materials.
Inspiration
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Inspiration _____
"Spoils of Elegance" - Graduate Collection
My graduate collection explores Rococo themes of romance, sensuality, and ornamental excess. Inspired by Fragonard, Boucher, and Clodion, I was drawn to the beauty of this era after visiting the Wallace Collection. The richness and intimacy of the works informed my use of embellishment and surface design as tools to reflect on beauty, power, and cultural value through a contemporary lens.
Alongside historical references, my collection was also shaped by today’s political landscape, particularly ongoing cuts to the arts and the commodification of creativity. I wanted to draw parallels between the patronage systems of the 18th century and modern forms of cultural gatekeeping. This contrast allowed me to explore how art remains deeply politicised.
My work
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My work _____
“Today as yesterday, art is the mirror of contemporaneity.”
